Wednesday, 20 April 2011
read issues 1 and 2 (if you can)
I have attempted to put editions 1 and 2 together on Yudu. You can see them here but the quality of their reproduction is not great and there's a hulking advert on the first page (the price of the free option) and I find the zoom difficult to control. Other than that....
Wednesday, 6 April 2011
Lucy Wan
O Come all ye - the first small copies of Lucy Wan, Cabin'd Cribb'd Confin'd No.1, modelled on old 'strip' broadsides (see left), have been slipped in between certain CDs in certain CD racks in certain shoppes in ye city of Glasgow. If you see one, let us know! More will follow when none is loking, and I hope to get rid of some at the upcoming Unthanks/Trembling Bells gig at the Arches. All free.
If you can't, email me & I'll send you the pdf file for you to cutte out and kepe your own copy.
Ready soon, hard on its heels, will be No.2, Under A Thorn Ther Is A Springe.
Folk Suburb is old song and suburb, suburb & old song; but recognising that song and word sneak acrosses borders - no Soil & Sense here!
If you can't, email me & I'll send you the pdf file for you to cutte out and kepe your own copy.
Ready soon, hard on its heels, will be No.2, Under A Thorn Ther Is A Springe.
Folk Suburb is old song and suburb, suburb & old song; but recognising that song and word sneak acrosses borders - no Soil & Sense here!
Friday, 25 March 2011
Blue Bottle: Lucian Taylor & The Folk Suburb
The incantating Hill Of Dreams (Arthur Machen), in a 1920s edition with hand cut, and gold edged, pages. I like gold & silver edged pages as much as the next man.
Taylor's little blue bottle (supplied, I presume, by the mysterious country doctor, Dr Burrows) inspired wanderings first transforming his petty country town into an ancient meditteranean port, and then, in a hellishly wintry naptha and gas lit London, making fantastic the joining and interconnecting of suburb and the country: the last 20 or 30 pages of madness, suburban roads and houses twisting in and out, interrupted by and into lanes, farms, weird trees and hollows: for sure the stuff of Folk Suburb's more outlandish broken fields. And terrifying. And some of the finest writing of meadowsweet and footpaths.
Taylor's little blue bottle (supplied, I presume, by the mysterious country doctor, Dr Burrows) inspired wanderings first transforming his petty country town into an ancient meditteranean port, and then, in a hellishly wintry naptha and gas lit London, making fantastic the joining and interconnecting of suburb and the country: the last 20 or 30 pages of madness, suburban roads and houses twisting in and out, interrupted by and into lanes, farms, weird trees and hollows: for sure the stuff of Folk Suburb's more outlandish broken fields. And terrifying. And some of the finest writing of meadowsweet and footpaths.
Wednesday, 23 March 2011
Witches Music: Trembling Bells 'The Constant Pageant'
Nine o'clock & my child drinking her bedtime milk calls down "can you turn that down - its giving me the creeps. It's witches music."
This sound is awe making. Music of the dark country and low lanes.
I give this long player 10 out of 5: 'tis musick.
This sound is awe making. Music of the dark country and low lanes.
I give this long player 10 out of 5: 'tis musick.
Thursday, 2 December 2010
The Trees They Do Grow High
Cabin’d, Cribb’d, Confin’d is the new journal of folk suburb. Folk suburb is about where the old countryside, on which the suburb is built, rises, occasionally, through (in the curve of a street following an old lane, maybe, or a left-over barn wall, or a name or a gatepost or a tree) and meets in the cul-de-sacs the attemtps to be ‘only the new’ of the suburb.
And the old songs and old ways and old lore are let in to the suburb, and the suburb is let out to the old.
And the old songs’ invading lets in the notion of a suburban folk tradition of itself too, to be created, celebrated and written, out of its own things, and lets the old folk be reborn anew, all of which is vital to folk just-about-anything?
Cabin’d, Cribb’d, Confin’d is done on paper and not on line. Cut and pasted with glue and scissors, not mice. Photocopied not pdf.
Cabin’d, Cribb’d, Confin’d is free to all.
The First Manifesto Of Folk Suburb
To anticipate, notice and notice the passing of, the annual eruption of the hawthorn
To make the old songs sing to the suburb and the suburb sing to the old songs
To embrace empty time & sitting
To stand still and refuse illusions of elsewhere, and elsethings, for there’s a bagful of sound, sight and smell nearby
To reject the pleasantries
Seed Bomb! Knit Lamp-posts!
Life not survival
“The most certain chances of liberation are born in what is most familiar”
Mike Love not war
Part-time not Full-time
Plant fruit and flowers not decks
No garden lights
BLAST holiday destinations, slavish fashion, advertisement, spotlessness
BLESS the stillnesses of houses in heat, rose petal perfume in buckets
BLESS the blue tits, ragwort, dandelions, bees
BLAST convenience breakfasts, fear of food, Chardonnay
BLESS ale, John Clare, Panini stickers
BLAST breakfast tv, garden lights and outdoor rooms
BLESS breakfast tv, garden lights and outdoor rooms, and rain
BLESS Shirley Collins, Forest, Trembling Bells and Sha-la-la records
BLESS Swizzel-Matlow, footpaths & nettles
BLAST begonias, dogs, the news
BLAST weather forecasts
BLESS Oscar Wilde, Shirley Collins. Dolly Collins, Subbuteo and Trembling Bells again
BLAST Metro
The suburb is the front line in our consumer economy laid bare. BLESS walking past houses, and strange lanes marking ancient paths, BLESS the plants
The suburb is the site of the struggle, the beauty with and of CONSTRAINT and CONFORMITY
Internal and external, the suburb is the landscape of many of our childhoods and adulthoods. The suburb retains magic – the hidden corners, scents and structures
The suburb is a site of great hidden craft
BLESS tea and Lincoln biscuits!
The suburb is a place of nature, ancient byways and boundaries
(un)circumnavigated and unnegotiable
In the suburb the storm clouds rising behind the houses is the fear and awe of the country. The lights of town on the horizon are the fear of the urban; the banging of the black Corsa the rage of conformist noise
The first manifesto of folk suburb
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